Build movement one photograph at a time
My stop-motion photography contribution was to capture the character across successive poses. Small changes between frames become the movement viewers read on screen.
GROUP FILM / STOP MOTION
A stop-motion group film made for Digital Media Specialization 2. My contribution was stop-motion photography, editing and colour grading: shaping individual frames into an expressive moving character.

01 / CONTEXT & INTENT
The Secret Life of a Sponge turns an everyday sponge into a character. This group film extends my interest in making ideas visible beyond the browser: the experience unfolds through movement, timing and colour. The original Spec 2 frame sequences show the physical character and the individual images behind the finished film.
My stop-motion photography contribution was to capture the character across successive poses. Small changes between frames become the movement viewers read on screen.
Editing connects those frames and shots into a viewing experience. The spacing and duration of a moment influence how clearly an action reads and how much attention the character receives.
Colour grading was another part of my contribution. It connects the photographed material into the finished look, alongside the group’s work on the film.
My contribution, step by step.
Photograph the character frame by frame.
Build movement from the images.
Shape shot order and timing.
Refine colour for the finished film.
Original screens and process material. Select an image to inspect it at full size.

An original frame from Spec 2, take 07. The isolated character makes its silhouette, pose and handmade details easy to see.

An original close-up frame from Spec 2, take 03. These stills are source material, not screenshots of the final grade.
Watch the group’s finished film on YouTube, then compare it with the original Spec 2 frames above. The player loads only when you choose to watch.

Stop motion asks for close attention to the relationship between small decisions and a larger experience. Photography, editing and colour grading gave me different ways to shape that relationship. This is a group film; the contribution listed here describes my own role.